Posts Tagged ‘Auckland’


Alex: Ta Moko

November 9, 2011

On November 4th, I got a Maori-style Ta moko. It is the greatest experience I’ve had, in New Zealand or elsewhere.

I’m not sure how to talk about this. I’m not sure if I can separate the experience from the well of emotion I feel about this, so I think I may just not try. I apologize if this gets a little too real.

It’s no secret that I came to New Zealand to research my final project on Ta moko.  It is also no secret that I love tattoos.  I could talk about those two things alone for entire volumes, but I won’t.  No, I have a specific event to talk about.  I came here hoping above all other things to get a ta moko.  The style means a lot to me, and I’ve poured dozens of hours into learning everything about the style, the culture and the people.  I feel connected to it in a way that I have never felt connected to an art form before.  And it is an art form that I can wear on my skin, so I was dying to carry it with me my entire life.

So I do.  I made my appointment, and I showed up just five short days ago now.  My artist, Brad, had drawn the pattern a few days before, and proceeded to redraw it and without any sort of ceremony, began tattooing.

I had forgotten how painful tattoos are.  The pain fades with time, our brains are pretty good at that, but it was most certainly painful.  I think that it was more painful than my previous tattoo, even though it was farther from bone.  As he tattooed a swirling circle of protection on my shoulder, I felt my entire arm shake.  My bones vibrated in time with the machine, as if we had merged for that brief, excruciating moment.  When he reached the thin skin of my underarm, I was almost certain the tiny needles would tear my skin apart.

But the art began to take shape.  There was a moment where, between the pain, my staring at the lights, and beginning to see the tiny forms appear, I actually began to tear up.  I’m a wimp, I know, but I can’t explain it.  This art is something I’ve only ever read about and seen on others, but to experience it was transcendent.  It was spiritual.  It was beautiful.  It is intricate and detailed, and yet broad and sweeping.  It is everything I had imagined and more.  It is still difficult for me to reconcile that something so beautiful is a part of me.

I try not to get terribly personal on this blog.  This post is going to fail at that.  I apologize for breaking format, but I had to get his out, and it’s not the sort of thing I can sneak into regular conversation.

I’ve never really felt like I’m attractive, and that’s my issue.  It’s because I’m overweight and my culture tells me that means I’m unattractive.  I get that.  But now, I get up every day, and I see this beautiful piece of art on my shoulder and I feel like I’m on top of the world.  I’ve never in my life been excited to take off my shirt until four days ago. It is liberating and a little terrifying.  I’m excited to have other people see it.  I’m excited to have other people appreciate my body, even only a small part of it.

Perhaps I have some deep-seated fear of being boring, and having a tattoo allows me to reassure myself that I am at the very least not boring, even if being interesting doesn’t make me attractive.  Whatever it is, I’m okay with it.  Tattoo enthusiasts will talk about a “tattoo high,” that once you get one, you keep craving more.  I had that with my first tattoo, but this most recent one has made me feel so incredibly good that I cannot wait to get another.

I apologize for this being so personal.  This body image issue means a lot to me, and it is difficult for me to discuss it without involving my personal struggle with it.
This may be one of my last posts on this blog, as my journey is nearing its close.  I am sad to leave, but I will be glad to be home.


Alex: Tongariro Alpine Crossing

October 28, 2011

Yesterday, I did the Tongariro Alpine Crossing. It was life-changing in a way I thought not possible.

I am not a fit man. I am technically obese (I’ll spare you my rant on that system). I also do not handle heights well. I’m not petrified by them, but I certainly do not seek them out. So the idea of an 20-kilometer alpine mountain crossing was not the most attractive idea I have ever heard. I am so glad that I did it.
I’m having trouble articulating this experience in the usual way, which is to say circuitously. So, I’m going to cut straight to the action, and hopefully that will spring my brain into its usual florid, overly philosophical tone.

The Tongariro Alpine Crossing is 19.3 kilometers long. It climbs up between two mountains, Mount Ngaurahoe (Mount Doom) and Mount Tongariro (not Mount Doom, but also awesome). It takes somewhere in the ballpark of 7 hours, if one does not summit either summit. Experienced a walker as I am, this was massively daunting to me.

But I did it. I soldiered on up the full hour of stair climbing. I kept my cool when I felt as if the wind would literally rip me from the side of the mountain. I walked in shorts in snow up to my knees. I saw massive heights, and in the face of them choked back my abject terror and took in the most incredible scenery I’ve ever seen.

We were unable to summit Ngaurahoe, as it is quite steep and quite snow-covered, and requires crampons andice axes, of which we had neither. We did, however, summit Tongariro. It was perhaps the most terrifying thing I’ve ever done. The snow was deep, the wind was strong and the heights were dizzying. The sky was clear, and the view in every direction was overwhelming. As I crossed a small, snowy ridge blasted by the wind, with nothing on either side but a steep slope down to a rocky demise, I had to keep my hood closed tight around my head just to limit my periphery and keep my cool. Only once we reached the summit and I was able to sit and hold firmly on to some rocks could I relax enough to keep my heart from beating out of my chest.

The view was absolutely worth every moment of terror. From here, one can see what seems like the entire world. The desert on one side of the mountains, and the rocky scrubland on the other. Down to the forest, and lakes Rotoaira and Taupo. It is truly magnificent.

On the descent from this summit, I saw the the huge red crater and the gorgeous emerald lakes, just beginning to peak out from underneath their frosty winter covering. I was assaulted by the smell of sulfur from the many volcanic vents in the area. I slid down treacherous loose gravel trails.

After all of this there was more walking. Lots more. We descended down past the snow line, and further down to where the vegetation began again. Before we knew it we were walking through sub-tropical forest.

Every part of my body hurt at the end of the day. I was sun-burnt on every exposed piece of skin. My hips, knees, feet, legs, and back all ached from a level of exertion they rarely, if ever see. I am still sore, and I suspect this burn will last some time.

It was fantastic.

Alex: Falafel & adventure

October 17, 2011

I had an enlightening experience yesterday, which coincided with my first experience with falafel. I suspect they were unrelated, but no one will ever know.

I love walking. I do it a lot. It started with my wonderful dog Maddie. When we got her, I was still in the midst of borderline exercise bulimia, and I walked her twice a day, for at least half an hour each time. Often on weekends I would spend literally the entire morning walking. I got used to it, and I’ve been walking ever since.

Since I’ve been in Auckland (and often trapped in Auckland) I’ve walked a lot to explore the city. While I love walking, seeing the city and catching up on my podcasts, this has always seemed to me like a consolation to a real adventure.

Yesterday I sat down at a kebab restaurant on Parnell here in Auckland. I had been walking for four hours or so, looking for this greenstone shop that I always manage to lose. I sat down at this place and ordered falafel, which I had never had (not a lot of middle-eastern cuisine in the upper Midwest), and a thought occurred to me. I am in another country, on a fairly unfamiliar road, eating at a restaurant I’ve never even noticed before. I’m thousands of miles and an entire ocean away from the place where I’ve spent my entire life, a place I had never left before. Not a person on the planet who knows my name knows where I am. This is the definition of adventure.

Adventures don’t require hiking over mountains or swimming in oceans or driving hundreds of miles. They just require a wild spirit and a willingness to experience all that life has to offer.

On a much less philosophical level, I learned a little something about myself that day (other than that I’m not terribly impressed with falafel). Travel, like most things, requires acclimation. I’ve never traveled before this year. Not really, anyway. Family vacations once or twice, but nothing on the scale of this New Zealand adventure. This is my first adventure, maybe it’s okay to take it easy.

There will be plenty more adventure.

The road beneath my feet.


Alex: Sasa

September 28, 2011

Last Friday me and a group of my peers performed a Samoan sasa led by a renown Samoan dance instructor.

I’m taking a class on Pacific art. Every week, more or less, we cover a different art form: weaving, bark cloth, carving, tattoo, etc. Last week was dance. We had our lecture in the campus fale, because presumably there was going to be some sort of demonstration. The first hour plodded along, with our guest lecturer talking about the importance of preserving traditional dances and whatnot. Then as the second hour started he told us to push the chairs to the sides of the room and to choose a spot on the floor to sit.

I am terrified of dancing. I’m not good at it. I’m white as can be, I’m awkward and uncoordinated and my sense of timing is sub-par at best. But my hope was that sitting would limit the potential for me to embarrass myself utterly, since only half my body would be able to be awkward and uncoordinated. But I had no idea what a sasa was, and I had no idea what I might be in for.

So I sat on the floor and prepared for the worst. I was relieved to find out that sasa is a Samoan clap dance. I may not be able to dance, but I can clap with the best of them. Slowly he taught us the moves, making us do them slowly at first, and stringing together longer and longer sequences of claps, ground slaps and various hand and arm movements.

Then we put it all together, and a simple string of claps and slaps became something else entirely. Our instructor/leader was drumming with two wooden sticks on the back of a plastic chair, but as soon as he started counting us in in Samoan, for all I knew that plastic chair was a centuries-old Samoan instrument–I was swept away.

As we slapped our knees to the beat that he kept on his chair-drum he started shouting things–things in Samoan that I didn’t understand, things that the Samoan students in the room knew exactly what to do with. They were calls, calls which were answered in the most energetic and invigorating way possible. It charged the whole huge open-air fale with energy. It got me excited to dance. It got me excited to be a part of this group that had from which I could learn.

In that moment, all of us clapping in time, Samoan calls and answers lighting up the room, I felt totally connected to those people–people that I don’t even really know. In that moment, the movements mattered so much less than that group of people–that wonderful environment. That’s not to say that the moves fell by the wayside. If anything, I was inspired by this almost magical sasa energy to perform the best sasa a white boy from Wisconsin had ever performed.

That energy stuck with me. The rest of that day, I could not get that plastic-chair-beat out of my head. I can still hear those calls and answers in my head. Sometimes, in the moments when I am falling asleep, I feel that collective energy surge through me and I feel as if I may never need to sleep again.
Post script: Here is a link to a sasa performed at Polyfest, which is a huge Polynesian dance competition held in Auckland every year. The one we performed was considerably less complex, but hopefully this will give you some idea.

Alex: Street art

September 15, 2011

I spent a large portion of my spring break hunting down the best of Auckland city’s street art.

Spring break here in New Zealand began on the third of September. By that time, most of my classmates and peers had made plans to travel, many of the them to the South Island, some to Australia, and others to pacific sites like Fiji. At this time, I had just received my financial aid package, so I had not had money with which to plan a vacation, and I was not in the mood to spend twice as much money booking last minute. I had hoped that this time would allow me to do much of the research for which I came to Aotearoa. So I decided that I would take advantage of my urban surroundings and go looking for man-made beauty.

I have had a fascination with street art for some time. As an adolescent it was just about the thrill and the danger, the possibility of getting caught. Growing up in a town of thirty thousand suburban (by which I mean white, middle class) people, I had little exposure to the art and craft that can be present in good street art. Living in Minneapolis, along with the media’s recent fascination with street art, opened my eyes to this underground art form. My fascination with taboo art forms could be not only a whole post, but perhaps a book unto itself. So in order to fill my time, find some art, and sate my insatiable need to walk, I devoted at least two hours almost every day over the last two weeks to comb the streets of Auckland for art.

I have learned quite a bit from this experience, primarily regarding the placement of street art. There is a delicate balance to be struck between visibility and surreptitiousness. Like any artist, graffiti artist want there art to be seen, but they prefer not be seen by the proper owners of the building or the always-understanding-of-artistic-expression police. So choosing a street is a matter of choosing one that is busy enough that enough people will see your work to warrant your time, but not so busy that it is regularly patrolled. One can easily tell which streets these are, because once one artist finds the balance, word travels fast, and soon the street is covered. Karangahape road (k’road), which is a fairly busy street just up the hill at the terminus of a few different main streets, is a prime example of this. It is covered in street art. From huge murals to simple tags and everything in between, it is fully decorated.

It also seems that either the laws on graffiti are different here, or the police are simply more understanding. More than once I saw street art being painted in broad daylight, albeit often rather nervously. I also found pro-police street art, presumably either painted or commissioned by the police themselves, which leads me to believe they are not so vehemently opposed to graffiti as American police. Also reinforcing this idea are the electrical boxes on the streets. I have seen only a handful of unpainted electrical boxes in all of Auckland. Since these are directly on the street in broad view, I presume they were not painted surreptitiously.

There is also a protocol as to which walls on which one paints. You will never, for example see street art on marble walls. There seems to be a tacit code which stipulates that only those walls which are drab or ugly should be painted. Street artists generally seek to add beauty, not detract from it.

So although I didn’t travel and I didn’t do much research, this was a productive and informative spring break. That said, I am quite jealous of my peers. I’m attempting to use this feeling to fuel a new vigor in my school work and research.


Alex: Auckland Museum

September 7, 2011

With most of my compatriots off gallivanting for spring break and me stuck here in Auckland, I was looking for things to do. A friend of mine Ida, the Norwegian girl whom I met on the tramp to Piha, suggested going to the Auckland Museum as it’s free for residents of Auckland. So we went together one afternoon last week.

We met around two o’clock in the afternoon, knowing that the museum closes at five, and figuring three hours would be plenty of time to explore. I think poor Ida didn’t know what exactly what she was getting herself into by inviting the likes of me to a museum. Museums are sort of my thing. I am a historian, after all, so museums fall quite squarely in my wheelhouse.

So we entered the museum and walked immediately into the pacific artifacts section, which occupies most of the first of three floors. I was not aware of just how well my study of pacific art and anthropology had prepared me for the experience of a pacific museum. As it turns out, it prepared me quite well, and because the only thing I love more than learning new things is explaining them to other people, I proceeded to give Ida the nickel tour. I’m sure she got sick of me quite quickly, but she seemed a good sport about indulging me.

So after the large Pacific history section, we entered something…else. I’m not sure how to describe it, and I feel that any title or name for this exhibit would not adequately explain it. It was, ostensibly, an exhibit of the English portion of New Zealand history, and while my Maori professor may cringe to hear me say it, I think it has a valid place. The English may be colonizers, but they did bring their own history to New Zealand. But that is not the weird bit. This exhibit slowly went from being about the English in New Zealand to being what appeared to be simply a dumping ground for old things. There was a collection of antique chairs, for example, and I use the term “collection” loosely. There were six chairs, and two of them looked like ordinary old chairs. The chair exhibit became our running joke for the remainder of the day. Any time we saw a chair, we would point out that it too should be part of the chair exhibit.

The second floor was dedicated to natural history, and seemed largely focused toward children, so we didn’t spend much time there. Ida and I compared large-grazing-animal stories near an exhibit of some sort of yak.

So we moved to the third floor, which held the various war exhibits. One would assume that I, as a military historian, would be excited for war exhibits, but one would not necessarily be correct in that assumption. There is a period of about a hundred and fifty years of military history that holds absolutely no interest for me. That being the period from about the beginning of the 19th century, up through the middle of the 20th. This is the period in which technology is advanced enough to have long-since outstripped skill in importance on the battlefield, but the technology is not yet complex or variable enough to hold my attention. This is the area in which all of New Zealand military history takes place. So we passed through the Boer War exhibit, a war that I as an American always forget about, and moved through the first and second world wars. We spent some time in the holocaust exhibit which was somber at best, and by this time we were both fairly well burned out. But there was one section to go, one section I had been looking forward to all day. There was still the armory.

We walked into the armory, and my eyes lit up like a child’s. My weary feet no longer ached and my slowly growing hunger disappeared entirely, as did my compatriot. She had gone to sit down, but it honestly took me a full minute or two to notice. There was nothing terribly fascinating in the armory, nothing I hadn’t seen before, but it was gorgeous and enthralling nonetheless. That’s not entirely true, there were things I hadn’t seen before, but I didn’t notice them at the time. When I noticed Ida sitting, she rejoined me and I made my lap of the exhibit as fast as my fluttering heart would allow. But as I was lingering on the sword wall, Ida made the mistake of asking which was my favorite. Before I could stop myself, what should have been a simple answer became a five minute lecture on the various uses and merits of each. Let me tell you, the best way to impress a girl is to lecture her about things she clearly has no interest in.

So we headed off out of the museum, and back toward our respective apartments. We discussed sports, running, and our Chucks. We parted amicably. But this was not the end of my museum adventure.

I returned to the museum the next morning. I skipped straight to the armory, where I lingered and took pictures for a solid hour at least. There were percussion cap revolver rifles that I had never seen before, a spring-loaded polearm which was new to me, and a few machine guns that had been made in New Zealand. None of this I had noticed before.

That was my museum adventure. An adventure in two parts. I didn’t learn much about history, but I learned quite a bit about how to visit museums with others without boring them to tears.


Alex: Snow

August 16, 2011

On August 15th, 2011 in Auckland New Zealand a strange and wonderful thing happened. It snowed.

I am told it doesn’t snow it Auckland. It is simply unheard of. According to a China Daily article, the last time it snowed in the city center was in 1930s. The last time it snowed here, Hitler had yet to invade Poland. To say that people were excited would come nowhere near capturing the feeling in the air.

The snow began as cold rain, which transitioned to sleet, hail and eventually actual honest-to-God snow. It is, of course, far too warm here for the snow to even consider the possibility of staying on the ground for more than the briefest of moments, but snow it did.

In the courtyard of my apartment building there were people dancing and screaming, furiously shooting pictures to mark this historic event. My facebook feed exploded with observations about the snow that was trying its damnedest to fall on Auckland central.

It has been honestly, objectively cold this week. Not just Auckland cold, but real cold, although probably not deserving of the down-filled coats I have seen so many Kiwis sporting. They are saying it may snow again this week. My favorite part of this story is that city officials are warning people to prepare for the possibility that they could be trapped in their houses without amenities. By snow that is barely even cold enough to call itself that.

If nothing else, I can say that I was here to witness this historic day, and that I was outside in a t-shirt at the time.


Alex: Caving

August 9, 2011

The day immediately following my day of adventure was designated for caving (that is, exploring caves, not acquiescing) in Waitomo.

As previously discussed, by the time I did the day of adventure I was quite thoroughly fed up with not having clean clothes, sleeping in a cold cabin (we couldn’t get the heat to work, and it was the middle of winter) and being constantly wet. So when I was informed that we were going to be spending hours that day squeezing through tiny holes up to our eyeballs in water and rappelling down 50-meter drops, I was less than excited. In fact, I was physically sickened by the very idea of it. But I put on a brave face and went along with it, hoping I could rely on my meager caving experience to steel myself for the experience.

So the day started with another early breakfast and an hour-long bus ride to Waitomo. We donned wetsuits and climbing harnesses. This was perhaps the worst part of the day. Let me explain: As a fat person, I know that there are two things fat people fear more than anything else: 1. beaches and 2. putting on “one size fits all” clothing, because we are the people for whom one size never fits. Luckily (forcefully) I managed to cram myself into a wet-suit, although my harness was too small, so one of the guides had to attach a rigged shoulder harness so it wouldn’t fall off, and I wouldn’t slip out of it and die. Fantastic.

Our harnesses on, we practiced abseiling (rappelling) on dry land, and headed down to the cave. Stairs, by the way, are perhaps the most awkward thing to attempt in a wet-suit. Far more so than the entire cave put together. So the first abseil was about a 50-meter drop (that’s about 165 feet), and on our walk down to it, one of the guys from the previous group had chickened out and had to walk back to wait on the bus all day. The fact that he was also a fat guy like myself incited in me a dual reaction. First, I projected myself into his shoes, and I could already see myself being scared and forced to wait on the bus. Luckily, my second reaction was considerably more positive. I determined to not repeat his mistake, so that I could mentally hold it over his head the rest of the week. I succeeded, mostly through no fault of my own.

There was no time to turn back. In addition to the long line of people behind me forcing me on, by the time I saw the huge drop, I was swinging above it, water trickling over me. The worst part was unlocking the rope. This is the transition from a locked-rope position wherein you cannot go anywhere to a free position, where you can lower yourself down. Letting this lock go is a bit like letting out the parking brake. That is, if your car is parked on a 90-degree hill, and you have to use your feet to stop Flintstone-style because your brake lines have been cut. At least that’s how it feels.

But I made it down, and as I stood at the bottom of this huge hole now soaking wet, endorphins coursing through me, the idea that I ever entertained turning back was repulsive. I was neck-deep in it now and damn was I excited. There were two more abseils, both in waterfalls. When they said in waterfalls, I pictured a trickle or stream of water. Boy was I wrong. Torrent is a word that does not even come close to describing the amount of water present. Might I remind you, gentle reader, that it had been raining for nearly a week straight at this point. These are waterfalls even in the dry months of the summer, now they were just mean.

But I survived them. I also survived climbing hands-and-knees through a hole where I was literally up to my eyeballs in water, free-climbing a slick, wet rock ledge and squeezing through half a dozen holes I was certain would tie up even the skinniest among the group. This is what I thought was the end, but there was more. Not a considerable amount more, but enough that by the time I reached the final ladder I was craving sunlight and fresh air like some sort of depraved nature-junky jonesing for a fix. By this point a sizable asthma attack had set in, likely as a result of the continued crushing of the wet suit and my nervousness at still being underground. The adrenaline had no doubt worn off, and I felt its lack as the dragging ankle-weights of fatigue and exhaustion.

But finally, gloriously, we emerged back to the world of the living, the world of warmth green and light. To say that I was excited to remove my wet suit would qualify me for the understatement lifetime achievement award. Now that I was standing in the daylight, hearing birds again, and seeing clouds dance lazily across the sky, I craved to breath fully the fresh air again. The fervor with which I removed those choking clothes put even the most zealous wedding couple to shame. The sunlight on my now-bare chest, a lung-full of pure New Zealand air, exhaustion creeping in and blurring the periphery of my senses: this was the greatest moment I had had in New Zealand thus far.

So we showered, changed back to our street clothes (now my only set of dry, albeit still not clean, clothing), and were bused back to Kiwipaka Waitomo for a delicious hot lunch. I did not realize until I began eating how hungry I was, as nerves and exhaustion had tied a Gordian knot in the very pit of my stomach. Then there was another hour-long ride back to Rotorua.

When we arrived it was about 5.30 in the afternoon. There was talk of going out for dinner, but I was thoroughly exhausted, so I determined to take a short nap before dinner. I set an alarm for six-thirty. I woke up at nine. I had slept right through dinner, but I was too tired to feel hungry. I felt bad that I had missed the outing, though, so I walked over to the bar/gathering area where the group was playing cards and having a few post-cave-victory drinks. I blearily ordered myself a tall pint of delicious Lion Red, drank it with great relish, and re-deposited myself in my bed by nine-thirty.

Another day ending with beer, this one accompanying a heaping helping of exhausted contentment. And victory.


Alex: Matauranga Maori

July 28, 2011

I checked out books from the library for the first time today.

I’m largely caught up on my homework, and in addition to looking for something to fill my time I was looking to start my research in earnest. I explained my project to my Anthro tutor (which is what they call TAs) who is also an American, and the rest of my Anthro tutorial this morning. I get more and more excited every time I mention it, and since it is the reason I spent all this money to fly half way around the world, I felt like I should get to work. Also, I have yet to hear from a single tattoo artist, so the approach that I had intended to take to this project has yet to bear fruit and I needed to feel like I was doing something.

So I was at the library this afternoon, struggling to find the books I was looking for, when I saw one of the books was marked in the system as being in the Matauranga Maori section. I had no idea what matauranga meant (it means education, knowledge). So I wandered around the first floor of the library when I noticed it: half of the floor set back and labeled with a large sign beckoning from the drop ceiling “Marautanga Maori.”

I walked into this section, and understanding crept up on me slowly and warmly. It started in my toes and by the time I had found my section the feeling was near my eyeballs and I had to use all my considerable force of will to restrain an actually giggle of delight. There is an entire section of this library dedicated to Maori topics. Minnesota has one of the largest archives in the country, and Maori topics is a sub-division of a sub-division. Like a kid in a candy store, I wanted to pull everything from the shelves and gorge myself until I was sick. I resisted, but only just.

I ended up only taking two books on ta moko home with me. Voracious as I am, I know myself and I know that if I could only have them for a month, I may accidentally skip homework in favor of pouring myself into these books. Upon arriving at home I had to once again restrain myself from tearing open my backpack like a child on Christmas morning. I dutifully did my homework, and then sat down and devoured an entire book just this evening. My hunger was so great I totally forgot myself, I had no conception of the passing time. As it turns out, my hunger was actually so great because I had forgotten to eat anything.

This project is going to go oh so very well.

Alex: Day of adventure

July 22, 2011

This is part of the historical post series. The day of adventure was Friday the 8th of July. It’s been a while, so excuse me if I gloss over a few details (not that you’ll know, since you weren’t there).

First, you should know that going in to this day I was fully expecting not to enjoy myself. This was somewhere around day four or five of living on two days worth of clothing, and I was getting quite sick of it. Not only that, but I was getting a little exhausted from my constant strained attempts at socialization with my group-mates who were practically still strangers.

The morning of my day of adventure, I picked up my vouchers and was told to pack an extra set of clothes because I would be ogo-ing, and I would get wet. This did not put me in the best of moods. I had so far not been able to enjoy the hot pool at our hostel because I didn’t have any sort of swim suit. I only had the one pair of shorts I wore on the plane and the one pair of jeans I had packed, so the idea of soaking fully one half of my leg-covering clothing was not appealing, but I did it anyway.

The morning began at the Agrodome with the “world famous” (I had never heard of it before) Agrodome Sheep Show. There were a ton of different kinds of sheep. Kate and Mayu (the two girls who were also in my group) got volunteered to milk a cow, and I (against my will) ended up feeding some sort of infant of the sheep or goat family.

After that was the Ogo. An ogo is big inflatable ball, probably ten feet in diameter, with a hollow center in which a person or persons sit and roll down a hill on a predetermined course. In our case the ogo was filled with pleasantly warm water. This doesn’t sound thrilling or terrifying at all I know, but I assure that it is both of those things. It’s a bit like being on a roller-coaster where you cannot see where you are going, it’s all one big fall, and about half way through you start to do flips inside of the car. Exhilarating indeed.

Next we went to Skyline where we took a gondola chair lift up to the top of this mountain that formed the edge of the Rotorua caldera. We took a break to have lunch at this fantastic buffet that had a breathtaking view of Rotorua. After lunch we did a bunch of luge rides down the side of the mountain on these sort of gravity-powered go-carts on this paved path. Also fairly exhilarating.

Finally we had to rush off to Te Puia, which is sort of a touristy highlights center with an active geyser and a Marae and all sorts of stuff. The carvings alone in this place were worth the trip. It was here that I was part of my first (of at least three so far) powhiri, which is a traditional Maori welcoming ceremony of sorts. The group of us then watched a Maori musical performance that was pretty entertaining. One of the performers was glaring at me for an entire song, so I refused to break his eye contact until the song had ended. Not sure why that was significant but it stuck out in my mind.

All of the performers, by the way, had brilliantly done, but clearly quite fake, facial moko. I appreciate the effort, but it did make me feel a little pandered to, a feeling that had been slowly growing, and continued to grow as I spent time in Rotorua. It is a wonderful place to visit, but it is very clearly a tourist town. Something like seventy percent of its population works in the tourism industry, so there is a lot of pandering going on.

After the performance the three of us met up with a guided tour of the rest of the facility. We saw the boiling mud pools and the active geyser, although we did not have time to wait for it to erupt. The tour group made an initial pass through the kiwi sanctuary where they have a mating pair of kiwi. This sanctuary is mostly dark and they don’t allow photography because the birds are nocturnal and they don’t want to risk someone accidentally leaving a flash on, because it disorients the birds. While the tour as a whole was unsuccessful in kiwispotting, the trio of us returned after the end of the tour and saw one of the kiwi strutting back and forth in front of the exhibit glass. More on kiwis in a later post, this one is already running a bit long.

That Friday ended with good ol’ fish and chips, a few good beers and an unexpected level of satisfaction.
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